Positive Interactions

Positive Interactions is an album made entirely from happy sounds sent to me by 50 friends from all over the world. You can ‘buy’ the album by emailing a short message about something that makes you happy to: happy@positiveinteractions.space* – you’ll then receive a download link. (If you don’t see the email please check your junk / spam folder).

You can read more about the project here or scroll down to find out more about the happy sounds used in each track.

Cheers!

Tommy Perman

* I will not keep your email address or any personal details but I would like to use your happy message in future versions of this project.

01: Saw An Old Friend Today

Listen out for these sounds in Saw An Old Friend Today:

… for some variation I’ve included a stem of backwards electric guitar that never quite made the Fugitive Light and Themes of Consolation cut.

Andrew Wasylyk

Nathalie advised me to record our door to the garden as well. She always seems to pick up that sound when I am coming home…

Roel Knappstein (sound nominated by Nathalie Brans)

It is ‘opening my studio door’ after I haven’t been able to be there for two months.

Roel Knappstein

When I was working in my studio one day, a heavy rain and hail storm poured down on the roof and made quite a nice mix with some Tom Waits music I was playing

Roel Knappstein

I’ve recorded Ro and Mhairi having a laugh together 😊 hopefully it fits!

Malath Abbas

Fave is midnight the cat, our wee guy who we recently lost to a car during covid:(
He was quite the pianist. We’d love it if that was used somehow! That makes us so happy every time we watch it.

Sandy Carson and Karen Skloss

I was out walking in the dusk the other night, and heard something that I thought I’d send on for your Positive Interactions. I made a little film on my phone, so the sound quality isn’t superb. But standing under a tree in the dark, listening the the owls chat and hoot at the bells, made me very happy indeed.

Rose Ferraby

a recording of the gate which forms the entrance to the domain of the biological farmer that we are supporting. The gate looks like this (photo of gate)

The green shield with the thump up is saying ‘green hero’…
It is always good to go there and harvest your ‘own’ vegetables.
If you have been picking beans or digging carrots or potatoes for a while, you return home with quite a different feeling. Those activities are quite stress diminishers…

Roel Knappstein

here we go, two original recordings of noise (at day and at night) in the middle of the Norwegian Sea / North Atlantic 🙂
It was one the happiest moments and places I have been; I would sit there for hours and tune in—in a way.
Hope you like them and they provide fun for VC, chopping up, filters, or just leaving them as they are.

Jens Ewald

I caught some wood pigeons in the spring blossoms of Balgay Cemetary overlooking Invergowrie Bay.

Andrew Wasylyk

Track named by Jasmine Skloss Harrison.
Written and produced by Tommy Perman.

Get the album

Email your happy message to: happy@positiveinteractions.space – you will then receive an auto-respond email with a link to download. If it doesn’t arrive please check your junk / spam folder. I will try to respond to your happy messages personally if I can. Thank you!

02: Walking In Water

Listen out for these sounds in Walking In Water:

… for some variation I’ve included a stem of backwards electric guitar that never quite made the Fugitive Light and Themes of Consolation cut.

Andrew Wasylyk

It is ‘opening my studio door’ after I haven’t been able to be there for two months.

Roel Knappstein

One is of a spring day in France in early June. Nathalie and I went for a walk and had a rest beside a pond with frogs.

Roel Knappstein with Nathalie Brans

Fave is midnight the cat, our wee guy who we recently lost to a car during covid:(
He was quite the pianist. We’d love it if that was used somehow! That makes us so happy every time we watch it.

Sandy Carson and Karen Skloss

Here’s a wee thing I made today in my head bubble. Hope it suits, can’t remember if you needed a certain length.
That was fun! So nice to have a play and make something with no parameters, must do that more often, I’d probably get quite a lot done that way.

Emily Scott

here we go, two original recordings of noise (at day and at night) in the middle of the Norwegian Sea / North Atlantic 🙂
It was one the happiest moments and places I have been; I would sit there for hours and tune in—in a way.
Hope you like them and they provide fun for VC, chopping up, filters, or just leaving them as they are.

Jens Ewald

Here are a bunch of Uma sounds for you. Some great purring and chirping, (my fav is on Uma 2.wav 1:04 – sounds like an Ewok).

Bobby Perman (and Becki Crossley)

I caught some wood pigeons in the spring blossoms of Balgay Cemetary overlooking Invergowrie Bay.

Andrew Wasylyk

Track named by Nina Perman. Written and produced by Tommy Perman.

Get the album

Email your happy message to: happy@positiveinteractions.space – you will then receive an auto-respond email with a link to download. If it doesn’t arrive please check your junk / spam folder. I will try to respond to your happy messages personally if I can. Thank you!

03: Spider Music

Listen out for these sounds in Spider Music:

I recently received an unexpected and rather lovely gift of a kalimba. The little thing sits on my desk where I work and occasionally throughout the day, while I’m thinking, or taking a break, or procrastinating, I’ll have a little play on it. It has such a sweet sound that even my mistakes (of which there are many) are pretty and it’s really reminded me how joyful and immersive and meditative playing music can be. If everyone had a kalimba on their desk I think the world would be a happier place. 

Rachel Simpson

It is ‘opening my studio door’ after I haven’t been able to be there for two months.

Roel Knappstein

Here’s a wee thing I made today in my head bubble. Hope it suits, can’t remember if you needed a certain length.
That was fun! So nice to have a play and make something with no parameters, must do that more often, I’d probably get quite a lot done that way.

Emily Scott

Greetings from the shire where I have just returned after spending a few days with the folks. I managed to catch the Jilguero a few times in different locations. Hard to catch him by himself and you can hear the noise of the city and very annoying dogs. I have not deleted any files since I know you might want to hear them all and choose for yourself. There are other birds there too, including humming birds. They are the ones with a rhythmical and repetitive high pitch chirp. 

Morgan Szymanski

here we go, two original recordings of noise (at day and at night) in the middle of the Norwegian Sea / North Atlantic 🙂
It was one the happiest moments and places I have been; I would sit there for hours and tune in—in a way.
Hope you like them and they provide fun for VC, chopping up, filters, or just leaving them as they are.

Jens Ewald

Track named by Charlie Simpson.
Written by Tommy Perman, Emily Scott and Rachel Simpson. Produced by Tommy Perman.

Get the album

Email your happy message to: happy@positiveinteractions.space – you will then receive an auto-respond email with a link to download. If it doesn’t arrive please check your junk / spam folder. I will try to respond to your happy messages personally if I can. Thank you!

04: Tiny Golden Quacks

Listen out for these sounds in Tiny Golden Quacks:

Here’s a wee thing I made today in my head bubble. Hope it suits, can’t remember if you needed a certain length.
That was fun! So nice to have a play and make something with no parameters, must do that more often, I’d probably get quite a lot done that way.

Emily Scott

This is the recording that sprang to mind when I first read your email. It’s my daughter playing my xylophone, this time last year. So she was 13 months old at the time. Funny to hear her not talking, with just the occasional grunt, as she rarely stops chatting at present 😀

Thought of this because 
(a) it makes me feel happy 
(b) it was recorded with a field recorder rather than a phone 
(c) it’s rife with easily croppable notes / flourishes in the key of C.

Jonnie Common

Greetings from the shire where I have just returned after spending a few days with the folks. I managed to catch the Jilguero a few times in different locations. Hard to catch him by himself and you can hear the noise of the city and very annoying dogs. I have not deleted any files since I know you might want to hear them all and choose for yourself. There are other birds there too, including humming birds. They are the ones with a rhythmical and repetitive high pitch chirp. 

Morgan Szymanski

Track named by Rory Common. Xylophone performed by Sylvie Common. Arranged and produced by Tommy Perman.

Get the album

Email your happy message to: happy@positiveinteractions.space – you will then receive an auto-respond email with a link to download. If it doesn’t arrive please check your junk / spam folder. I will try to respond to your happy messages personally if I can. Thank you!

05: The Sound Of An Alien Invasion

The Sound Of An Alien Invasion was made with the following sound:

Also, this is a set of recordings I made in the Pacific Northwest a few years ago that I love – it’s an accidental aeolian harp that was made out of some fishing line that was strung up on a dock. It was super windy and it was making a completely amazing noise! I was so excited by it, and I still love listening to it. 

Yann Seznec (with Kristina Seznec)

Track named by Kristina Seznec. Produced by Tommy Perman.

Get the album

Email your happy message to: happy@positiveinteractions.space – you will then receive an auto-respond email with a link to download. If it doesn’t arrive please check your junk / spam folder. I will try to respond to your happy messages personally if I can. Thank you!

06: Ladybird Laughter

Listen out for these sounds in Ladybird Laughter:

The sound of the Kookaburra makes me happy because it sounds like a monkey laughing, an insane sound for a wee bird to make really. I didn’t really know much about the before we came (and I still don’t) but I love their jaunty squat tuftiness, and the fact that for being such an wild bird icon they are very ubiqitous and bring a feeling of being amongst nature into the hart of urban environments.

Sam Evans

thinking of your loch made me think of the nature reserve out by the airport. It reminded me of some recordings I got there over spring. One attached. Maybe a good fit for the Positive Interactions EP? A dawn chorus and a hum of a train coming along the tracks just behind. 

Su Shaw

Here’s a field recording I made in Berry’s Den in Newport-On-Tay a few years ago. I used to cycle over there a lot when I lived in Dundee and it’s a place that holds a lot of happy memories for me. I would generally go after work and spend an hour and a half or so wandering around just soaking up the greenery and the sounds of nature then hop back on my bike to go home for tea, feeling very zen indeed! 

I still miss living in Scotland and memories of those peaceful evenings always make me happy when I recall them. 

Raz Ullah

Also, this is a set of recordings I made in the Pacific Northwest a few years ago that I love – it’s an accidental aeolian harp that was made out of some fishing line that was strung up on a dock. It was super windy and it was making a completely amazing noise! I was so excited by it, and I still love listening to it. 

Yann Seznec (with Kristina Seznec)

I’m so delighted that you’re managing to continue being creative despite the challenges all around just now. I haven’t played or sang anything properly in months now and am finding it very difficult not being able to play with anyone, it will come.  
As for recording those happy sounds, I finally sorted out my wee Zoom mic and whilst clearing the micro SD to make way for some really profound ambient nature/cooking noises, I found these recordings of the boys when they were wee. Utter joy to my heart.  I might still send you some other stuff just for fun but these recordings of kids exploring what it means to record sound, to listen to themselves discussing nonsense, playing with song and word and foley, brings such a smile to my face and of course, being their parent, a wee tear to ma een.  
Ruben’s song was recorded up at Dunsapie Loch at Arthur’s Seat and we’d cycled up there to play with sound recordings. He was laying on his belly next to the water and the reeds, brushing the mic against the grass and running around for effect. I’d forgotten all about that day until I listened to the recording. Sound, music and memory.  
Thanks for inviting me to send something. Will be taking the Zoom out for a spin again soon! 

Clarissa Cheong

Track named by Ruben Cheong Bee and Samuel Cheong Bee.
Written and produced by Tommy Perman.

Get the album

Email your happy message to: happy@positiveinteractions.space – you will then receive an auto-respond email with a link to download. If it doesn’t arrive please check your junk / spam folder. I will try to respond to your happy messages personally if I can. Thank you!

07: Cheery Chirps

Listen out for these sounds in Cheery Chirps:

This is an idea I’ve been messing around with since you first asked, just noodling when I’m playing with the girls. So I recorded as a live session, one take with a mic in the room. I added a recording of the girls under it just to emulate how I’ve been working at it and to reflect how my days are spent playing with them. It was really fun to do, thanks.

Michael Lewis

The sound of the Kookaburra makes me happy because it sounds like a monkey laughing, an insane sound for a wee bird to make really. I didn’t really know much about the before we came (and I still don’t) but I love their jaunty squat tuftiness, and the fact that for being such an wild bird icon they are very ubiqitous and bring a feeling of being amongst nature into the hart of urban environments.

Sam Evans

It is ‘opening my studio door’ after I haven’t been able to be there for two months.

Roel Knappstein

Also, this is a set of recordings I made in the Pacific Northwest a few years ago that I love – it’s an accidental aeolian harp that was made out of some fishing line that was strung up on a dock. It was super windy and it was making a completely amazing noise! I was so excited by it, and I still love listening to it. 

Yann Seznec (with Kristina Seznec)

I am fortunate to live close to nature and forests in particular. A 4 hour drive takes me to the amazingly lush BR hills forest range with tigers, elephants, bears and a super rich bio diverse ecosystem. Being in the forest makes me incredibly happy each time. I could stay with the sights and sounds forever. I had to share this piece of heaven with you.

Babitha George

Track named by Ruben Cheong Bee and Samuel Cheong Bee.
Written and produced by Tommy Perman.

Get the album

Email your happy message to: happy@positiveinteractions.space – you will then receive an auto-respond email with a link to download. If it doesn’t arrive please check your junk / spam folder. I will try to respond to your happy messages personally if I can. Thank you!

08: Maybe Underwater / Soccer, Snowman, Snowman, Snowman

Listen out for these sounds in Maybe Underwater / Soccer, Snowman, Snowman, Snowman:

… for some variation I’ve included a stem of backwards electric guitar that never quite made the Fugitive Light and Themes of Consolation cut.

Andrew Wasylyk

This is an idea I’ve been messing around with since you first asked, just noodling when I’m playing with the girls. So I recorded as a live session, one take with a mic in the room. I added a recording of the girls under it just to emulate how I’ve been working at it and to reflect how my days are spent playing with them. It was really fun to do, thanks.

Michael Lewis

I hope your Wednesday has been going well.

I have just been working on some music for your project.

Firstly a slightly boring computer related story

A few weeks my 2014 MacBook Pro stopped working / I took it over to Apple and they helped the poor old thing out.
They installed a new operating system but with no garage band which I normally use for music.

I think if I had installed a new version it would have melted it.

I was going to send over some music I had made in the summertime.

Anyway today I was feeling the vibes of some kind and decided to make some improvised music.

So this afternoon recording on my iPad using Voice Memo / I made 4 pieces of music/sound for you.

These pieces were made with:

Acoustic Guitar
Microphone
Casio SK-1 Keyboard
Thunder Tube
Toy Saxophone
Loop Station
Synthesizer Bass Pedal

Recorded live in downtown Dunfermline on Wednesday afternoon.

I hope you can access the sound files / and that you can use them in someway for the project?

Marcus Oakley

Sampled from recordings sent to me by Gavin Sutherland (Other Lands)

It is ‘opening my studio door’ after I haven’t been able to be there for two months.

Roel Knappstein

I like door squeaks very much, I find them hilarious and poignant and lovely.

Yann Seznec

Also, this is a set of recordings I made in the Pacific Northwest a few years ago that I love – it’s an accidental aeolian harp that was made out of some fishing line that was strung up on a dock. It was super windy and it was making a completely amazing noise! I was so excited by it, and I still love listening to it. 

Yann Seznec (with Kristina Seznec)

This is a recording that Samuel Cheong Bee made. His mum Clarissa explains…

As for recording those happy sounds, I finally sorted out my wee Zoom mic and whilst clearing the micro SD to make way for some really profound ambient nature/cooking noises, I found these recordings of the boys when they were wee.  Utter joy to my heart.  I might still send you some other stuff just for fun but these recordings of kids exploring what it means to record sound, to listen to themselves discussing nonsense, playing with song and word and foley, brings such a smile to my face and of course, being their parent, a wee tear to ma een.  

Ruben’s song was recorded up at Dunsapie Loch at Arthur’s Seat and we’d cycled up there to play with sound recordings.  He was laying on his belly next to the water and the reeds, brushing the mic against the grass and running around for effect.  I’d forgotten all about that day until I listened to the recording.  Sound, music and memory.  

Thanks for inviting me to send something.  Will be taking the Zoom out for a spin again soon! 

Clarissa Cheong

I don’t really try to make music any more even though I do play about from time to time to escape from all of the visual stuff. Happiness isn’t necessarily in the sound but in the process of pressing keys and pushing buttons.

Chris Labrooy

Just searched through some old stems from the Pictish Trail album, and found some sounds I really enjoyed making with Rob Jones, mostly on his swanky OP-1 and MS10 synths.

Johnny Lynch (aka Pictish Trail)

here we go, two original recordings of noise (at day and at night) in the middle of the Norwegian Sea / North Atlantic 🙂
It was one the happiest moments and places I have been; I would sit there for hours and tune in—in a way.
Hope you like them and they provide fun for VC, chopping up, filters, or just leaving them as they are.

Jens Ewald

The track was named by Arthur Seznec, Lainie Lewis and Theia Lewis.
Written by Tommy Perman, Marcus Oakley and Michael Lewis.
Produced by Tommy Perman.

Get the album

Email your happy message to: happy@positiveinteractions.space – you will then receive an auto-respond email with a link to download. If it doesn’t arrive please check your junk / spam folder. I will try to respond to your happy messages personally if I can. Thank you!

09: Let It Be Animal Crossing

Listen out for these sounds in Let It Be Animal Crossing:

a song from Animal Crossing Nintendo …

Maja Wilhelms

From Markus Wilhelms (father of Maja – aged 10):

another one that I love…

Maja trying to play Let It Be…

Markus Wilhelms

Let It Be written by Lennon–McCartney, performed by Maja Wilhelms. Animal Crossing music written by Kazumi Totaka, Toru Minegishi, Kenta Nagata. Produced by Tommy Perman.

Get the album

Email your happy message to: happy@positiveinteractions.space – you will then receive an auto-respond email with a link to download. If it doesn’t arrive please check your junk / spam folder. I will try to respond to your happy messages personally if I can. Thank you!

10: Woosy Cudda

Listen out for these sounds in Woosy Cudda:

I hope your Wednesday has been going well.

I have just been working on some music for your project.

Firstly a slightly boring computer related story

A few weeks my 2014 MacBook Pro stopped working / I took it over to Apple and they helped the poor old thing out.
They installed a new operating system but with no garage band which I normally use for music.

I think if I had installed a new version it would have melted it.

I was going to send over some music I had made in the summertime.

Anyway today I was feeling the vibes of some kind and decided to make some improvised music.

So this afternoon recording on my iPad using Voice Memo / I made 4 pieces of music/sound for you.

These pieces were made with:

Acoustic Guitar
Microphone
Casio SK-1 Keyboard
Thunder Tube
Toy Saxophone
Loop Station
Synthesizer Bass Pedal

Recorded live in downtown Dunfermline on Wednesday afternoon.

I hope you can access the sound files / and that you can use them in someway for the project?

Marcus Oakley

I love the way my 5-year-old daughter Nina uses an iPad app called SoundForest to make beats. I sampled one of her beats as part of the drums and sub bass for this track

Tommy Perman

Recordings of Bo the dog from Susie Brown

Also, this is a set of recordings I made in the Pacific Northwest a few years ago that I love – it’s an accidental aeolian harp that was made out of some fishing line that was strung up on a dock. It was super windy and it was making a completely amazing noise! I was so excited by it, and I still love listening to it. 

Yann Seznec (with Kristina Seznec)

It seemed like a simple request, but the more I thought about it, the harder it became to think of a sound that made me feel happy.

So I took the complete opposite route of digging inside and did a finder search of my Hard Drive.  I typed in “Happy” and an old, unfinished session came up with the word “happy” in the title.

I listened to it and it made me want to finish it, AND it made me happy.  Here is a portion of the guitar track from it.  I’m starting to remember how I started to write the song, and all the stuff I was doing at the time, and it makes me happy.

Yusuke Hama (Hamacide)

My dog doing his howl chat that he does to me when he wants his dinner.

Kev Sim

I don’t really try to make music any more even though I do play about from time to time to escape from all of the visual stuff. Happiness isn’t necessarily in the sound but in the process of pressing keys and pushing buttons.

Chris Labrooy

It’s the guinea pigs, Winnie and Chester. Having a snuffle around and a nibble.

Bartholomew Owl

Track named by Nina Perman. Written by Tommy Perman, Chris Labrooy, Marcus Oakley and Yusuke Hama. Produced by Tommy Perman.

Get the album

Email your happy message to: happy@positiveinteractions.space – you will then receive an auto-respond email with a link to download. If it doesn’t arrive please check your junk / spam folder. I will try to respond to your happy messages personally if I can. Thank you!

11: Flickering Candle

Listen out for these sounds in Flickering Candle:

… for some variation I’ve included a stem of backwards electric guitar that never quite made the Fugitive Light and Themes of Consolation cut.

Andrew Wasylyk

Nominated by Marijana Wilhelms.

Sound sourced from freesound.org:

https://freesound.org/s/58240/

this is one that I really like…

matches from a box and then lightning…

Markus Wilhelms

It is ‘opening my studio door’ after I haven’t been able to be there for two months.

Roel Knappstein

So my sound idea was originally the sound of a prius starting up – whenever I took an uber I loved the noise it made as it drove off.

So I found an example of the sound in a Japanese prius tutorial, and for fun I have left some of the language spoken in if you thought it might work. Prius sound is the focus though from me 🙂

Noah Ings

Sampled from a recording sent by Gavin Sutherland (Other Lands)

Sent by Josh Ings

Also, this is a set of recordings I made in the Pacific Northwest a few years ago that I love – it’s an accidental aeolian harp that was made out of some fishing line that was strung up on a dock. It was super windy and it was making a completely amazing noise! I was so excited by it, and I still love listening to it. 

Yann Seznec (with Kristina Seznec)

It seemed like a simple request, but the more I thought about it, the harder it became to think of a sound that made me feel happy.

So I took the complete opposite route of digging inside and did a finder search of my Hard Drive.  I typed in “Happy” and an old, unfinished session came up with the word “happy” in the title.

I listened to it and it made me want to finish it, AND it made me happy.  Here is a portion of the guitar track from it.  I’m starting to remember how I started to write the song, and all the stuff I was doing at the time, and it makes me happy.

Yusuke Hama (Hamacide)

The owls nest in the garden, and in summer sit around chatting to the fledglings. The swing is their favourite spot. The owls are very much part of my sense of home – a co-habitation. 

Rose Ferraby

Just searched through some old stems from the Pictish Trail album, and found some sounds I really enjoyed making with Rob Jones, mostly on his swanky OP-1 and MS10 synths.

Johnny Lynch (aka Pictish Trail)

Track named by Maja Wilhelms. Written by Tommy Perman, Yusuke Hama and Sandy Carson. Produced by Tommy Perman.

Get the album

Email your happy message to: happy@positiveinteractions.space – you will then receive an auto-respond email with a link to download. If it doesn’t arrive please check your junk / spam folder. I will try to respond to your happy messages personally if I can. Thank you!

12: fractalcats

Listen out for these sounds in fractalcats:

The piece is introduced by my 7-year-old son Paddy who made some ‘clicky noises’ from a cable tie for me after I asked him for a sound that made him happy.

Tommy Perman

Can I send you my kitten at home? I mean her sound

Kimho Ip

Funnily enough – my dishwasher makes me really happy as it sounds like the chord sequence from ashes to ashes

Pete Thomas

Here are a bunch of Uma sounds for you. Some great purring and chirping, (my fav is on Uma 2.wav 1:04 – sounds like an Ewok).

Bobby Perman (and Becki Crossley)

Track named by Bear Thomas and Jude Thomas. Written and produced by Tommy Perman.

Get the album

Email your happy message to: happy@positiveinteractions.space – you will then receive an auto-respond email with a link to download. If it doesn’t arrive please check your junk / spam folder. I will try to respond to your happy messages personally if I can. Thank you!

13: Cushie Too

Listen out for these sounds in Cushie Too:

So my sound idea was originally the sound of a prius starting up – whenever I took an uber I loved the noise it made as it drove off.

So I found an example of the sound in a Japanese prius tutorial, and for fun I have left some of the language spoken in if you thought it might work. Prius sound is the focus though from me 🙂

Noah Ings

Sent by Josh Ings

Sound nominated by Helen Ewing and sourced from: https://freesound.org/s/319512/

Track named by Helen Ewing. Written and produced by Tommy Perman.

Get the album

Email your happy message to: happy@positiveinteractions.space – you will then receive an auto-respond email with a link to download. If it doesn’t arrive please check your junk / spam folder. I will try to respond to your happy messages personally if I can. Thank you!

14: Dancing With Cows

Listen out for these sounds in Dancing With Cows:

Recording sent by Sandy Carson, Austin, Texas

I recently received an unexpected and rather lovely gift of a kalimba. The little thing sits on my desk where I work and occasionally throughout the day, while I’m thinking, or taking a break, or procrastinating, I’ll have a little play on it. It has such a sweet sound that even my mistakes (of which there are many) are pretty and it’s really reminded me how joyful and immersive and meditative playing music can be. If everyone had a kalimba on their desk I think the world would be a happier place. 

Rachel Simpson

The cow is a holy animal for some Hindu communities in India (and also the cause for a lot of unrest and polarisation). This is a man singing as he brings around a richly decorated cow seeking alms (food and money often). He came around our studio often and this was a very familiar sound before the pandemic. It is a sound I miss hearing these days.

Babitha George

Stone “bells” on the Glen Finglas sculpture trail

Jonnie Common

This is from a forest outside Bangalore in BR Hills. The Soliga tribe lives here and the drums you hear are them drumming at night to keep wild elephants away.

Babitha George

Here’s a wee thing I made today in my head bubble. Hope it suits, can’t remember if you needed a certain length.
That was fun! So nice to have a play and make something with no parameters, must do that more often, I’d probably get quite a lot done that way.

Emily Scott

Track named by Babitha George.
Written and produced by Tommy Perman.

Get the album

Email your happy message to: happy@positiveinteractions.space – you will then receive an auto-respond email with a link to download. If it doesn’t arrive please check your junk / spam folder. I will try to respond to your happy messages personally if I can. Thank you!

15: Space Babies

Listen out for these sounds in Space Babies:

When I was working in my studio one day, a heavy rain and hail storm poured down on the roof and made quite a nice mix with some Tom Waits music I was playing

Roel Knappstein

When considering what might constitute a positive noise to me, personally, many things came to mind as possibilities – from early recordings recently unearthed of my daughter at a very young age, before she could properly speak, to nature sounds collected from close to home or further afield. 

I figured you might be getting a bunch of stuff like this sent your way already anyway so instead decided to pay homage to the keyboard which arguably started my obsession with making music, particularly the electronic variety, from a very young age (3 or 4 years old I reckon) – the Casiotone MT-40.

This very short piece features the three Casiotones I now own – the MT-40, the MT-46 (which I bought off ebay when still playing with Found, still adorned with a sticker featuring Kev Sim’s illustration of Herbie Hancock), and the MT-68 which I was lucky enough to retrieve, in pretty immaculate condition, from a skip last year. 

All parts were played live, going through one of my more recent and frequently used bits of studio kit, the Polymoon Meris delay pedal.

The first tones are the sound of me scrolling thru the tones on the MT-40, a mode in which you could only play one note (A), so I took this as the basis of the piece, adding either bass, drums or chords from the other Casiotones.

Being that none of the equipment has MIDI, all rhythm parts and delays had to be tweaked live in order to stay in sync, another nod to the days when I had limited access to the sort of home studio technologies we might take for granted these days, when I had to be quite resourceful in order to achieve the results I was after.

These days I’m often trying to recapture those feelings from my earliest days of making music, when it was almost always entirely fun. Quite often I will give myself strict parameters to work within now, I suppose in a way to mimic the limitations I used to have, but also to force myself to work quickly and intuitively. 

Although I gave this piece quite a bit of thought before approaching it, I effectively wrote, played & produced it all in one evening – and intend to leave it at that.

Gavin Sutherland (Other Lands)

I changed my mind about what I wanted to send, as Bonfire Night is my favourite night of the year and usually sees me go to visit my oldest friend, stay at her house, go back to my home town and see an amazing parade of fireworks and a huge bonfire (it’s near Lewes and much of the same paraders that repeat the festivities a few days later). But this year of course it was cancelled. Instead I went with Sim to our nearest hill in Bristol, Troopers Hill, where lots of people had gathered (distantly, though it doesn’t really sound like it!) to watch little fireworks twinkling all over the city. Then later we went down to the river to make a campfire of our own and I recorded that just as a plane flew overhead, jarring with the timeless sound of a fire, and hopefully giving some lovely sub-bassy frequencies. If there’s anything I can do to boost those or improve the sound quality, let me know.

It was a lovely evening despite not being what I am usually used to, and quite touching / almost a little eerie – the fireworks could definitely sound warlike and menacing as well as celebratory.

Sarah Tanat Jones

This is from a forest outside Bangalore in BR Hills. The Soliga tribe lives here and the drums you hear are them drumming at night to keep wild elephants away.

Babitha George

Track named by Eva Sutherland. Written and produced by Tommy Perman, Gavin Sutherland and Sarah Tanat Jones.

Get the album

Email your happy message to: happy@positiveinteractions.space – you will then receive an auto-respond email with a link to download. If it doesn’t arrive please check your junk / spam folder. I will try to respond to your happy messages personally if I can. Thank you!

16: Rocket Trip

Listen out for these sounds in Rocket Trip:

I hope your Wednesday has been going well.

I have just been working on some music for your project.

Firstly a slightly boring computer related story

A few weeks my 2014 MacBook Pro stopped working / I took it over to Apple and they helped the poor old thing out.

They installed a new operating system but with no garage band which I normally use for music.

I think if I had installed a new version it would have melted it.

I was going to send over some music I had made in the summertime.

Anyway today I was feeling the vibes of some kind and decided to make some improvised music.

So this afternoon recording on my iPad using Voice Memo /  I made 4 pieces of music/sound for you.

These pieces were made with:

Acoustic Guitar

Microphone

Casio SK-1 Keyboard

Thunder Tube

Toy Saxophone

Loop Station

Synthesizer Bass Pedal

Recorded live in downtown Dunfermline on Wednesday afternoon.

I hope you can access the sound files / and that you can use them in someway for the project?

Marcus Oakley

When I’m immersed in drawing I’m always happy. I love the way the sounds reflect the mark making and materials; it’s as though you can trace the drawing invisibly in your mind.

Rose Ferraby

Also, this is a set of recordings I made in the Pacific Northwest a few years ago that I love – it’s an accidental aeolian harp that was made out of some fishing line that was strung up on a dock. It was super windy and it was making a completely amazing noise! I was so excited by it, and I still love listening to it. 

Yann Seznec (with Kristina Seznec)

This was the first song I learnt with both hands.

Andrew Weir

This track begins with a performance of Somewhere Over The Rainbow written by Harold Arlen. Rocket Trip named by Harry Oakley. Written by Marcus Oakley and Tommy Perman. Produced by Tommy Perman.

Get the album

Email your happy message to: happy@positiveinteractions.space – you will then receive an auto-respond email with a link to download. If it doesn’t arrive please check your junk / spam folder. I will try to respond to your happy messages personally if I can. Thank you!

17: Trying To Squeeze Out The Wax From A Pile Of Shit

Listen out for these sounds in Trying To Squeeze Out The Wax From A Pile Of Shit:

I hope this is ok and workable. It’s essentially all about the mundane. I love rituals and I love to have them in the morning – it makes me happy. I really enjoy the start of the day, when the unexpected hasn’t happenned yet, when it’s a completely blank canvas, fresh start of something. I am lucky enough to have a job that I like and to be able to spend my days in my own studio. So here are the sounds of the first half an hour after leaving my flat – the walk, putting the kettle on, turning the radio on, making a cup of coffee and then a wee bit of printing. Right before the printer decides to do something silly and I have to fix it in panic hehe! Essentially, I think that during these strange times when nothing is certain, I fell out of love with chaos a bit and started to really appreciate these short glimpses of clarity and stability.

Gabrielė Gudaitytė

This is the recording that sprang to mind when I first read your email. It’s my daughter playing my xylophone, this time last year. So she was 13 months old at the time. Funny to hear her not talking, with just the occasional grunt, as she rarely stops chatting at present 😀

Thought of this because 
(a) it makes me feel happy 
(b) it was recorded with a field recorder rather than a phone 
(c) it’s rife with easily croppable notes / flourishes in the key of C.

Jonnie Common

I don’t really try to make music any more even though I do play about from time to time to escape from all of the visual stuff. Happiness isn’t necessarily in the sound but in the process of pressing keys and pushing buttons.

Chris Labrooy

Just searched through some old stems from the Pictish Trail album, and found some sounds I really enjoyed making with Rob Jones, mostly on his swanky OP-1 and MS10 synths.

Johnny Lynch (aka Pictish Trail)

Track named by Gabrielė Gudaitytė. Written by Tommy Perman, Chris Labrooy and Sandy Carson. Produced by Tommy Perman.

Get the album

Email your happy message to: happy@positiveinteractions.space – you will then receive an auto-respond email with a link to download. If it doesn’t arrive please check your junk / spam folder. I will try to respond to your happy messages personally if I can. Thank you!

18: Weathered Passageway / Black Water

Listen out for these sounds in Weathered Passageway / Black Water:

I’m really taken with the idea of giving you the robot drawing sound … That’s probably been the most positive addition to my sound world this year 🙂

Simon Kirby

Making cider has been one of the defining elements of living here in Bridge of Earn. Our orchard consists of one small but enthusiastic tree on the drive. We did it every year for the first 5 or 6 years, bringing old friends up from Edinburgh and Glasgow, each time supplementing with more apples from other sources, refining our procedures, building better presses, and increasing our efficiency and yield. But we have been on a hiatus since Emily was 1 or 2, as it became harder to dedicate the time to it. We started up again this year – this time a bunch of neighbours, carefully distancing ourselves at the end of our driveways…!

We made 10 gallons – it’s currently bubbling away happily to itself in the live room here at Pumpkinfield.

Pete Harvey

The morning sound which I am always looking forward too…

Roel Knappstein

I’m not sure how much you need to know about the reasons for the happiness but for me, there’s something about the musicality of how the water meets pebbles or the twists and turns of a stream like this one that never fails to unpick whatever angst or feeling of fragmentation I’m feeling. I know I can rely on it to make me happy; like there’s a code in the different notes that untangles and rearranges until everything feels clear and light. I love that the longer you listen to sounds like this the more music you can pick out. And I love that just by listening to them you can tell that the water is clear and clean and that as I listen it will unlock lots of other memories; of the smell of the woods or the movement of the seawater and seaweed.

Tamsin Ghislaine Cunningham

Monmouth beach Lyme Regis : During my PhD I spent a lot of time on this beach recording landslides and fossils. I walked it with a lot of different people, photographed it, drew it. The sound of waves and stones set up a rhythm that accompanied it all.

Rose Ferraby

Putting on an old Thelonious Monk record…

Roel Knappstein

Tempting though it is to get you some Laurie chat 🙂 I’m going to send you over a couple of short vids just now that were taken on the island of Antiparos in September 2017. Panagia beach is one of my favourites that we’ve visited in Greece and these were from our last day there before we left for Athens and then home. It was our last holiday just the two of us too actually though Laurie was already with us, Gemma was about a month and a half pregnant at the time 🙂 lots of feelings associated with these clips 🙂

Christophe Docherty

I’ve been learning the piano and I reckon I’ve probably been at my happiest this past year any time I’ve had a chance to do so. I didn’t want to contrive it too much so I just messed around with some chords I’ve been trying out.

Ziggy Campbell

here we go, two original recordings of noise (at day and at night) in the middle of the Norwegian Sea / North Atlantic 🙂
It was one the happiest moments and places I have been; I would sit there for hours and tune in—in a way.
Hope you like them and they provide fun for VC, chopping up, filters, or just leaving them as they are.

Jens Ewald

I’ve just sent you a clip of the sea pulling in the pebbles, I love it – really powerful.

Alan Stockdale

Track named by Albie Kirby and Io Kirby. Written by Ziggy Campbell and Tommy Perman. Arranged and produced by Tommy Perman.

Get the album

Email your happy message to: happy@positiveinteractions.space – you will then receive an auto-respond email with a link to download. If it doesn’t arrive please check your junk / spam folder. I will try to respond to your happy messages personally if I can. Thank you!

19: Unsurfacing #2

Listen out for these sounds in Unsurfacing #2:

Andrew Wasylyk sent me the sound of a “dull gong” he recorded on his phone at Hospitalfield House, Arbroath, Scotland

Queen Street station is the first and last space I encounter on most of my visits to Glasgow. Taken at the end of November 2016, my recording of Queen Street reminds me of the years I’ve frequented the city, going to gigs, buying records, visiting friends, and waiting on the train home.

Gav Brown

here we go, two original recordings of noise (at day and at night) in the middle of the Norwegian Sea / North Atlantic 🙂
It was one the happiest moments and places I have been; I would sit there for hours and tune in—in a way.
Hope you like them and they provide fun for VC, chopping up, filters, or just leaving them as they are.

Jens Ewald

Track named by Andrew Wasylyk. Written and produced by Tommy Perman.

Get the album

Email your happy message to: happy@positiveinteractions.space – you will then receive an auto-respond email with a link to download. If it doesn’t arrive please check your junk / spam folder. I will try to respond to your happy messages personally if I can. Thank you!

20: (sway) row, row, let’s go

Listen out for these sounds in Track 20:

So my sound idea was originally the sound of a prius starting up – whenever I took an uber I loved the noise it made as it drove off.

So I found an example of the sound in a Japanese prius tutorial, and for fun I have left some of the language spoken in if you thought it might work. Prius sound is the focus though from me 🙂

Noah Ings

I was really touched when Tommy asked me to take part in this project. As I was shielding and had additional caring responsibilities I hadn’t been able to play the violin during lockdown, not even open the case, and this was literally about 5 minutes after I started playing for the first time, having pressed ‘record’ just in case anything was usable. I was warming up with some very basic two note motifs based on a ‘perfect cadence’, a closing chord sequence which often ends a piece bringing it back to the ‘home’ key, and then some improvised simple short melodies. I ended up layering the motifs over each other, with some deliberate flux in the timings, to make that repeated pattern. As I was in a very hectic work and home period, was using podcasting software to record and edit on my iPad without the skills to make it sound how I wanted (plus find it quite difficult to listen to myself) and then got floored by a virus, the actual process of creating it probably skirted wildly around the definition of ‘happy’, but Tommy worked wonders with it and, for me, that very simple chord sequence feels so grounding, and almost comforting, that I can’t help but smile when I hear it! 

Kate Miguda

Here is a grouped field recording of birds and dog walker’s chattering that features on a new piece of music I’ve made for a new album. The song in question is a reminder of my cousin for me and I think it turned out okay. Clare’s been propagating cuttings from plants in our flat with a view to passing them on to folk. It made me think that it might be nice to share a ‘cutting’ from this song for you to sew into your new project.

Andrew Wasylyk

Sampled from a recording sent by Gavin Sutherland (Other Lands)

Also, this is a set of recordings I made in the Pacific Northwest a few years ago that I love – it’s an accidental aeolian harp that was made out of some fishing line that was strung up on a dock. It was super windy and it was making a completely amazing noise! I was so excited by it, and I still love listening to it. 

Yann Seznec (with Kristina Seznec)

Queen Street station is the first and last space I encounter on most of my visits to Glasgow. Taken at the end of November 2016, my recording of Queen Street reminds me of the years I’ve frequented the city, going to gigs, buying records, visiting friends, and waiting on the train home.

Gav Brown

Track named by Coralie Scott. Written by Kate Miguda and Tommy Perman. Produced by Tommy Perman.

Get the album

Email your happy message to: happy@positiveinteractions.space – you will then receive an auto-respond email with a link to download. If it doesn’t arrive please check your junk / spam folder. I will try to respond to your happy messages personally if I can. Thank you!